DR Concert Hall
With DR Concert Hall, Denmark gets a national and international concert venue and a new architectural landmark for the capital. The complex, part of the TV network’s new Headquarters in Copenhagen, contains all facilities for Danish Broadcasting Corporation’s music production.
Nouvel’s design encloses a series of volumes, housing a different program or function, in a 45 meter tall rectangular box with transparent blue “screen” walls. The building will be constantly changing depending on the lighting conditions and the time of day; both revealing and concealing the interior. At night the building lights up with images projected on the “screen.”
The architecture dematerializes and becomes a matter of light and surface effects.
|The first idea for the building was the concept of the blue screen, a kind of lantern magic, because of the exceptional situation of the urban condition being a new development. I try to be a contextual architect and generally like to have a dialogue with my neighbors, but in this new urban situation I did not know my neighbors. So I tried to think about myself an an architect in the 11th century who had to build a Cathedral in a city in Europe, and how the buildings then happened around the Cathedral. This was possible because this is probably the largest and most public building here.
The idea after was to create a kind of question “What is this building?”
So the idea was to create a kind of small world belonging to the Concert Hall with a lot of specific singular details, materials and spaces, so when you open a door from one studio to another it is always a new feeling, a new ambience.
That is really the basic architectural idea of the building.
|/ Jean Nouvel|
As a minimum all the surfaces of the hall weigh 100 kg per square meter which insures the best possible reproduction of the lowest sounds. This means that most surfaces consist of up to six layers of plaster and plywood.
When the Danish National Symphony Orchestra leaves the hall to other musical genres, large curtains are drawn out of the slots in the wave walls to optimize the acoustics of the hall as required.
Studio 2 is inspired by the big production studios in Hollywood. On the plywood walls hang large panels with portraits of selected soloists, conductors and composers printed on them as decoration.
The portraits were processed with a special vector graphics technique, that turn the images into black and white contrasts, then stensiled on the plywood walls.
Studio 3, the smallest unit of the Concert Hall, can be customized for any event since there is no fixed stage or audience seating. The black walls, in alternating polished and matte panelling, is inspired by a grand piano. The floor is stained oak.
Studio 4 is also flexible and can be adapted to a wide variety of events. The walls and ceiling are in deep red shades. The metal coffers are aluminum, the absorbent surface is felt. The floors are stained oak.
Events at the Concert Hall will range widely in terms of size and genre: small-scale jazz concerts in the foyer, chamber music, choral, rock and pop concerts in the three smaller concert halls and symphony concerts, guest appearances and large scale rhythmic concerts in the large concert hall.
It will thus be possible to see, hear and experience DR’s own orchestras and choirs: Danish National Symphony Orchestra, Danish Radio Sinfonietta, DR Big Band, DR Vocal Ensemble, DR Radio Choir, DR Radio Girls’ Choir, DR Youth Ensemble and DR’s children’s choir, as well as guest performances and guest soloists from Denmark and abroad. Also rhythmical music, where DJs and bands will form new groundbreaking concepts.
|ARCHITECT||Niels Fuglsang A/S