What’s New On The Bookshelves? November 2015 Edition

by | 19. Nov 2015


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Le Corbusier: The Measure of Man

by Olivier Cinqualbre & Frederic Migayrou

Hardcover: 256 pages
Publisher: Scheidegger and Spiess (October 15, 2015)

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Few figures tower over modern architecture and city life like Le Corbusier. His dramatic rethinking of the principles and aims of architectural design made a profound impression on the spaces of twentieth-century cities and the ways that people lived in them. Le Corbusier – The Measure of Man offers the most up-to-date picture we have of Le Corbusier”s achievement. A new generation of researchers and curators looks in particular at his life-long study of the human proportion and how the human body should be housed.

Created to accompany a breathtakingly ambitious retrospective at the Centre Pompidou in Paris, the book traces Le Corbusier’s life and work from his earliest days through his greatest successes and lasting influences. It covers not only his iconic building designs and bold plans for city centers, but also presents a substantial exploration of his achievements as a painter and sculptor as well. Lavishly illustrated with nearly five hundred imagesùthree-quarters of them


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Fifty Under Fifty: Innovators of the 21st Century

by Beverly Russell, Eva Maddox & Farooq Ameen

Hardcover: 352 pages
Publisher: The Images Publishing Group (25 Nov. 2015) 

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The architects, designers, artists and others represented in 50 Under 50 are innovators of our time. After a world-wide search of 50 top architecture and design firms by the editors, lead author Beverly Russell along with Eva Maddox and Farooq Ameen help bring together a unique body of work; all partners in these firms will be 50 years old or under at the time of publication, and represent a forward-thinking generation of creative people, aware of global issues that urgently need solutions through imaginative design. A distinguished five-person jury presided over the final selection: Stanley Tigerman, founding partner, Tiger McCurry, Chicago; Ralph Johnson, design principal, Perkins+Will, Chicago; Jeanne Gang, founder Gang Studio, Chicago; Marion Weiss, founding partner, Weiss Manfredi, New York; and Qingyun Ma, Dean of Architecture, University of Southern California, and founder MADAs.p.a.m., Shanghai and Beijing.


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On the Uses of Architectural Photography

by Angelika Fitz & Gabriele Lenz

Hardcover: 256 pages
Publisher: Birkhauser; Bilingual edition (October 2015)

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Photography and architecture have a long and intense relationship – and both are accompanied by debates about how, as disciplines, they hover somewhere between service and art form. The book examines how photos are used to digitally reproduce, inform about, and archive buildings. Moreover, it is dedicated to the concept of the use of a building being the visual content of architectural photography, and also questions how the photograph influences the constructed reality.

What is the status of architectural photography today? For one, photographs provide mass media exposure for the buildings; however, the photographers’ own attitude, interests, and style result in highly individual images of the built reality. They tell their own stories of the building, decide whether to capture it occupied or not, dynamic or naturalistic, with or without context, as a new building or in use. How does this photographic perspective affect the way in which buildings and their architects are perceived? Many architects collaborate for long periods of time with specific photographers. How much do photographs influence the actual design? Which photos serve to publicize the building, which lend a new perspective?

In today’s flood of images, where there is almost no difference between photographs and renderings, this publication refreshingly brings architectural photography to the fore while allowing a peek behind the scenes. In eight richly illustrated chapters, the relationship between architecture and photography is subjected to a changing view. The different positions enter into a fascinating dialog. Insights and visual beauty go hand in hand.


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Living Complex: From Zombie City to the New Communal

by Niklas Maak

Paperback: 240 pages
Publisher: Hirmer Publishers (November 15, 2015)

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Cities today have become portfolios of investment properties with token patches of green. The cost to live in a fortress-like luxury housing complex in London or Manhattan is so high that most of us can’t afford it. As the masses move to the suburbs, the construction industry responds by churning out clusters of the same barracks-style row houses, ensuring that, there too, one can live in utmost privacy and security. But what do these buildings say about us? Do they have anything to do with the way in which most people actually want to live?

Niklas Maak provocatively argues that the construction industry and a number of outdated or poorly thought-out policies have prevented us from rethinking how we live in the city. Yet many of our current crises-from the mortgage crisis to global warming-are closely connected to problematic forms of accommodation in our cities. And the problem will only get worse: Over the next twenty years, influx into the world’s cities is expected to create the need for an additional one billion units of housing. Fortunately, Maak shows, there are practicable solutions. In Europe, Japan, and the United States, the author explores promising new forms of housing.

Cities should be reflections of their inhabitants-not forces to be contended with. Controversial, yet well-researched and wryly funny, Living Complex is a call for change from the “comfortable defense lines” that epitomize the current sorry state of housing.



Bucky Inc. Architecture in the Age of Radio

by Mark Wigley

Paperback: 320 pages
Publisher: Lars Muller Publishers (October 30, 2015)

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We live in radio. The real architecture of our world is that of electromagnetic frequencies. We are constantly being reshaped by countless overlapping waves that pulse through our buildings and bodies. Yet we don’t really know what this means.

This intellectual biography rethinks the legacy of one of the key protagonists of the twentieth century. It shows that the obsessive, eccentric brilliance of Buckminster Fuller-as a unique amalgam of theorist, designer, and performance artist-was devoted completely to the architecture of radio. The book draws extensively on Fuller’s archive to follow his thinking from toilets to telepathy, plastics to prosthetics, nanostructures to networks, and deep data to deep space. It shows that the critical arguments and material techniques of arguably the single most exposed designer of the last century were too radical to be grasped at the time but have become urgently relevant today. Fuller becomes a crucial reference point in trying to understand and engage our increasingly electronic world.