Moody Centre For The Arts, Rice University

by | 03. Apr 2017

Educational | Project
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Moody Center for the Arts, Rice University – Michael Maltzan Architecture, Inc. The Moody Center for the Arts by Michael Maltzan Architecture. Photo © Nash Baker

By Finn MacLeod

Located in Houston, Texas, Rice University is one of the leading research universities in the United States. Home to distinguished faculty and sited adjacent to the Houston Museum District and Texas Medical Center, the institution is favorably positioned in the city, and in the country, to attract leaders from every discipline to its sprawling urban campus.

Home to a handful of Byzantine-and-Georgian-inspired collegiate buildings, the campus at Rice University is old, impressive, and stoic-seemingly at odds with its progressive agenda. By contrast, the campus also plays host to a robust public art program, with contributions by lauded artists James Turrell, Jaume Plensa, and Mark di Suvero, among many.

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A public lawn outside the Moody Center for the Arts serves as a place to observe activities happening inside the building’s rehearsal spaces. Photo © Nash Baker

Regarded as the best private university in Texas, Rice benefits from a large base of prominent art collectors and foundations, including the Moody Foundation. With the help of a generous $20 million grant from the Moody Foundation and an additional $10 million from donors, Rice has bolstered its arts offerings with the addition of the Moody Center for the Arts, an airy new 50,000-square-foot arts centre designed by Michael Maltzan Architects.

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In-progress work by Olafur Eliasson inside the Moody Center for the Arts. Photo © Nash Baker

Billed as a “transdisciplinary” building, the centre, like most new campus buildings in the United States, is soaring, open, and daylit. What sets it apart from its contemporaries, however, is its uniquely flexible spaces, which allow it to accommodate a broad spectrum of creative programs as they change and adapt with the arts community. Challenged to address the needs of the university’s students, faculty, and a roster of visiting artists, the building serves dual roles as a learning space and artist incubator. This was no small feat: Rice’s Artist in Residence program will host world famous artists Olafur Eliasson and Mona Hatoum this year.

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A “sunburst” steel column serves as the building’s showpiece element, creating a human-scaled sundial intersecting its facade. Photo © Nash Baker

Eschewing Rice’s classical architectural aesthetic, the two-story building is clad in glass and slate-coloured brick, creating an illusion of a monolithic volume hovering above ground. A lantern-like design, the building is punctuated by a series of conventional and not-so-conventional geometric shapes serving as windows from which passersby can observe activities inside. The most notable element, a rectangular volume, hangs over the entrance, housing a “sunburst” steel support beam made visible by two asymmetrical cutouts intersecting the volume to create a life-sized sundial.

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The interiors are bright, daylit, and flexible. Photo © Nash Baker

Inside, the building’s spaces vary between new-age open-concept flexible breakout spaces and traditionally (glass) enclosed classrooms-this is an academic building, after all. Bright neon furniture and conversational breakout spaces enliven its stark white spaces, while birch hardwood and polished concrete floors provide visual gravity.

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A central staircase anchors the building, with space for socializing and circulating. Photo © Nash Baker

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Classrooms are enclosed in glass, continuing the transparency of the building. Photo © Nash Baker

Interior spaces are centred around a grand staircase-equal parts circulation and socializing-where occupants can enjoy theatre-like seating for casual gatherings or observing performances in the nearby atrium. The building also houses a 150-seat studio theatre; a gallery for exhibitions and experimental performances; flexible and programmed studios; video production labs; a maker lab with wood, metal, paint, and prototyping capabilities; new media and technology libraries; and private studios artist studios. Multi-media video screens are located throughout the building, creating opportunities for digital artists to showcase their work.

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White walls and neon furniture energize the space, while polished concrete floors bring visual gravity. Photo © Nash Baker

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Open artist studios are designed to host an array of artistic practices. Photo © Nash baker

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The centre’s exhibition halls can be reconfigured for an array of uses, and enjoy daylight and soaring ceilings. Photo © Nash Baker

Described by the architects as the embodiment “openness and possibility,” the building’s divergent spaces seek to catalyze creative expression while serving as a home for its continued refinement. Its blank white walls serve as a canvas (pun intended) for its occupants, and its raw aesthetic embodies the energy the artists in the creative community at Rice.

A veritable architectural Swiss Army Knife, the Moody Center for the Arts effortlessly incorporates bespoke spaces for more than a dozen artistic practices without compromising beauty or functionality. Rarely do all forms of digital, analog, mixed-media, dance, and theatre arts come together under one roof, but in the Moody Center, Maltzan has found programmatic harmony, while establishing an open and inviting space for the Houston arts community.

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The Moody Center for the Arts by Michael Maltzan Architecture. Photo © Nash Baker

Opened in February 2017, the Moody Center for the Arts has already begun to host its first classes and visiting artists.

INFORMATION

CITYHouston, Texas
COUNTRYUSA
SIZE52,465 square feet
ARCHITECTMichael Maltzan Architecture

CLIENT

CONTRACTOR